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English Table of Contents 2008/1 
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Interview from 1993 with the late Vargyas Lajos – folk music researcher. Discussion of the 8th volume of a series called ’Népzene tára’ [collection of folk music] which had just been published (11 years after the manuscript had been submitted to the publisher) at that time. This volume contains 30 types of folk songs. „...of course there is no style [of folk song] that we developed. Melodies on the other hand; there are hundreds, thousands that can only be found here [in Hungary] and that our people have invented. They are variants of eastern melodies and/or representatives of that style”. Interview by Halmos Béla (from video recording for Hungarian Television.)
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Review of a concert at the Bartók Theatre at the Palace of the Arts in Budapest on January 18th, 2008. This concert was to have presented an overview of the new folk music department at the Liszt Academy of Music. The critic here left at the break, apparantly disgusted with the proportion of representation of the actual students in the program, and displeased with the Muzsikás Ensemble’s performance. By Kiss Eszter Veronika. First appeared in Magyar Nemzet, January 21, 2008.
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New CD: Folk songs from the villages of Kecel and Kiskunhalas. A two CD album of traditional songs from these two communities in the Hungarian plain. Includes archival recordings collected on location by ethnomusicologist Szomjas-Schiffert György in the 1950s and ’60s and recordings of the Kecel Traditional Women’s Chorus from 2006. Edited by Bodor Anikó and Németh István. Released in 2007 by Bács-Kiskun County and the Dési Institute. Announcement by Paksa Katalin
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Hungarian kings, saints, brave warriors. Interview with Kiss Ferenc, composer and director of the Etnofon Music Consort. On March 18th as part of Budapest’s Spring Festival, a world music concert of Kiss Ferenc’s work will be held at the Liszt Academy of Music. The concert will celebrate the legends of 15th century Hungarian kings Hunyadi János and Hunyadi Mátyás. Performing in addition to the Etnofon Music Consort will be Borbély Mihály (Vujicsics Ensemble) and singers Bognár Szilvia, Szvorák Kati and Juhász Katalin and others. By Kiss Eszter Veronika
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2008 is the year of King Matthias Corvinus (1443–1490), aka Hunyadi Mátyás, who was king of Hungary from 1458 until his death. Here Dr. Kríza Ildikó tells about King Mátyás, Hungarian hero in folklore. King Mátyás was known as being intelligent, he fought for his people, for truth and justice, and worked hard so that the country would thrive. Akadémiai Press has recently published Dr. Kríza’s book on this subject. Conversation with Kóka Rozália
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Kodály Zoltán the folk music researcher – Part I. In honour of the 125th anniversary of Kodaly’s birth, from September 13th, 2007–February 1st, 2008 documents regarding Kodály’s collection work, photos and letters were on exhibition at the Hungarian Heritage House in Budapest. The exhibition was organized by Pávai István. Selected items from the exhibition will be printed in folkMAGazin this year. In this issue are excerpts from Kodály’s letters on meeting folk music researcher Vikár Béla for the first time in 1903 and on Kodály’s first trip to collect folk songs in Hungarian communities in what is now Slovakia.
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Portrait of a traditional fi sherman. Lencse Dénes lives in the village of Mecsér in the region known as Szigetköz in Northwestern Hungary along the so-called Mosoni Duna – which is a branch of the Danube. He has always lived there and has always been a fisherman, and so was his father and father before him. He learned his trade from his father and still uses the traditional methods and tools. A short account of Mr. Lencse’s life and profession. Includes recipe for fish soup. By Henics Tamás
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Interview with Németh Ildikó, folk dancer, teacher, choreographer dedicated to the authentic style. Ildikó turned 50 in 2007. To celebrate, she brought together the traditional dancers and choreographies that have inspired her during her career, which began at the Hungarian Institute of Ballet as a high school student. She also brought together a group of her peers, students and family: to form the unusual full length dance program called Ostinato, which was performed in December of 2007 at the Hungarian Heritage House in Budapest. Interview by Strack Orsolya
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Olsvai Imre előadása a népzenei mozgalom legfőbb szakmabeli kérdéseiről, amely 1981. február 14-én Veszprémben hangzott el,
az Országos Népzenei Fórumon.
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Melodies of the Kazaks in Mongolia. Some 100,000 Kazaks live in Bajan Ölgij County in Western Mongolia alongside Mongolians and Tuva peoples. The people in this region live in tents tending their animals in the summer monthes, and move into stable wooden or adobe houses for the winter. The music of Kazak inhabitants from the village of Nalajhra is discussed here. The Kazaks were moved there as part of a Soviet relocation program in the 1950’s and have maintained their Kazak identity. Mongolian Kazaks sing often at celebrational family meals. They sing ’simple songs’ of love for their homeland and ancestors. Like the Hungarians, they also have songs that bid farewell to the bride upon leaving her family and childhood. There is also a form of sung epic poetry these are epics from 200 to 10,000 lines in length and serve as a sort of library on the culture. Their melodies basically move on a ’do-pentatonic scale’. See article in Hungarian for samples of music. By ethnomusicilogist Sipos János – see also his book in English on same subject published by Akadémai Kiadó in Budapest, 2001.
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Olsvai Imre tanácsai a magyar népi kultúra tiszta forrássainek felkeresése és felhasználása kapcsán.(megjelent: Népdalkörök kézikönyve I-II. (Vass Lajos Népzenei Szövetség, Várpalota, 2004–2005.))
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A story about the village of Zomba in Hungary’s Tolna County as told by Mrs Schneider János (Piller Magdolna). Mainly this woman’s memories communicate the chaos of the World War Two period and its aftermath and what that meant for this village. „Just before WW.II., 229 Hungarian families and 238 families of German descent – a total of 2040 people lived in Zomba. After the war, 172 of the German familes were deported, 158 Székely familes (from Transylvania) and 44 familes from Slovakia were moved into their homes. 66 German familes remained in the village...” This is an account of personal losses of family members that never returned from the war, those that were war prisoners, having to house Russian soldiers in their homes, then later being ousted from their homes by the authorities with nothing and those familes that moved into their places... and some lifetime friendships that formed. As told to Kóka Rozália.
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Olsvai Imre beszél saját életéről, gyerekkora óta megtett útjáról. Lejegyezte dr. Gerzanics Magdolna. Megjelent: ZeneSzó 2011/2
By Sue Foy
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English Table of Contents 2008/2
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Pesovár Ernő 1926–2008 March 2. Dance historian, folk dance researcher, musicologist, retired director of folk dance research department of the Hungarian Institute of Musicology. An xtraordinary man whose work is well known throughout Europe and beyond. He was honored by any, many friends, colleagues, students at funeral services in Budapest on March 27th. A member of the group of world reknowned Hungarian dance researchers that brought dance archives into existence, formulated the basis for Hungarian dance research. He as a person and his work are deeply respected. His passing leaves a large hole in the profession and in many people’s hearts. Printed here are words of farewell from Mrs. Szurmai Sikló Mária (from the Ministry of Culture and Education), Felföldi László (Director of Dance Research Department of the Hungarian Institute of Musicology), Antal László (former student/dance educator – Szombathely College).
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Deadline for applications for the title of Young Master of Folk Arts is 2008 April 28. Applicants must be between 15 and 35 years of age and must apply in writing. Winners of this nationally accepted title of excellence in folk arts will be awarded on August 20th, 2008. Applicants may apply either in the performing folk artist or handcrafts categories. For contact information see announcement in Hungarian.
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Cultural TV on the internet – a new cultural medium A new Hungarian internet cultural and arts TV site has been operating since January 2008. Presently the site is financed entirely by the operating company. They have about 250 visitors to the site per day. They expect to have 1000 visitors per day by end of the summer. They report on Hungarian Cultural and Arts events and news. The site serves a broad sprectrum of Hungarian arts and culture – folk arts are also included in the programming. The site can be found at http://www.kulturalis.tv/ K. Tóth László interviews director Márkus István.
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Book review: Vargyas Lajos: A Magyarság Népzenéje/Folk Music of the Hungarians A re-publication of Vargyás’ book from 1981. The 2002 publication includes CD of 433 music examples (Plánétás Press, Budapest) Also published on CD ROM with an English version in 2005 (by Arcanum, Budapest) By Paksa Katalin – ethnomusicologist
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ankovics Marcell’s images of Hungarian King Matthias. Conversation with this reknowned Hungarian animation film maker, writer, graphic artist, illustrator, politician – and how his image of Hungarian King Matthias formed. By Kóka Rozália
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Interview with members of the BaHorKa Ensemble Three young singers who dance in the Jászság Ensemble have recently formed this ensemble. They began working together in mid 2007. They have one cut on the soon to be released 2008 Dance House – Hungarian Folk Music recording. They work together with the Hírős, Düvő and MaToCsáv Bands and the Jászság Ensemble. By Gál Dobos Bea
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Part I. Széki Soós János – is a writer who was born in the village of Szék in the Mezőség region of Transylvania. He and his family moved to Budapest in 1990. When he writes about Szék his stories are amazing, captivating accounts of real life there – this one is about a young girl who has her first communion. Soon after, her mother took her to the ’servants market’ in the nearest town, where people from the city came to choose country girls to work as household servants for their families in the city; then the girl’s first monthes working as a servant in Kolozsvár and her first trip home for the Christmas holidays.
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Creative tradition in visual education for children and young people Working from the basic principles of a Hungarian educational organization called the Children and Young People Arts Workshop (the so-called ’GYIK-Mühely’), Eplényi Anna is looking for new ways to inspire children to use their own creativity while learning and doing traditional folk arts and crafts.
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On the life-work of Hungarian textile artist Szekeres Erzsébet – to be exhibited in four locations in the town of Gödöllő, Hungary from May 3–June 29, 2008 Born in 1938 in Budapest, her roots and home are in the town of Gödöllő. In 1969 she was given the task of collecting the living folk arts in the region around Gödöllő. „This artist’s works not only captivate with their beauty, but her themes disclose the spirit of Hungarian Christianity, bringing the spirit of earthly man spirit closer to God...” Report by Borka Elly
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Part I : the life of Dr. Gerzanics Magdolna An extraordinary account of a Hungarian woman who was born in the 1930’s, the youngest in a family of 13 children in Ruthenia in Southewestern Ukraine. The course of events over the next 20 years took her to four countries and a dozen diff erent villages and schools, as the borders of Hungary changed and the war brought all manner of chaos during those years. This woman’s life is an example of the trials that people went through in order to keep alive, stay together with family, finish elementary school and enter adulthood. As told to Kóka Rozália
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11th Verbunk Competition – to be held on May 17, 2008 in Zalaegerszeg, Hungary and sponsored/organized by the Zala Dance Foundation and the City of Zalaegerszeg. This year’s compulsory dance material to be performed by contestants: Verbunk of Désfalva (Deaj) or Százcsávás (Ceuaş), Transylvania. First prize 70,000. HUF. Contact info – see announcment in Hungarian.
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Three dimensional movement analysis Dr. Stuber István is the director of the 3 Dimensional Morphological and Movement Analysis Laboratory at the Physical Education and Sport Sciences Department of the Semmelweis Medicial University in Budapest. He and a student, Molnár Sándor, have been collaborating on use of this scientifi c method using the so-called ’stereoconverter’ to analyse movement. The method has many applications in medicine and sports, but they have already experimented using the method for documenting and analysing traditional dance and suggest that it could be invaluable in preserving Hungary’s rapidly disappearing traditional dance heritage.
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Three dimensional movement analysis Dr. Stuber István is the director of the 3 Dimensional Morphological and Movement Analysis Laboratory at the Physical Education and Sport Sciences Department of the Semmelweis Medicial University in Budapest. He and a student, Molnár Sándor, have been collaborating on use of this scientifi c method using the so-called ’stereoconverter’ to analyse movement. The method has many applications in medicine and sports, but they have already experimented using the method for documenting and analysing traditional dance and suggest that it could be invaluable in preserving Hungary’s rapidly disappearing traditional dance heritage.
By Sue Foy
3
English Table of Contents 2008/3
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Remembering Zerkula – a story told by him about a girl from his youth. Transcribed by Endrődi Péter.
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Musician Ábrahám Judit remembers Zerkula – includes a tall tale about a trout told by him – an excerpt from her book entitled ’Zerkula’.
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Excerpts from Halmos/Szomjas portrait film on Zerkula; Eulogies by Sára Ferenc (dancer, choreographer, musician),Sebő Ferenc (musician, folk music researcher), Lajkó Félix (violinist), Fehér Zsombor (musician), Kerényi Róbert (musician) from www.quart.hu
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Kiss Dénes, the celebrated Hungarian writer, poet, linguist, translator and editor, has written three books on the great King Mathias Corvinus (King Hunyadi Mátyás), ’the just’ – a key fi gure of Hungarian legend and history. King Mathias Corvinus was born in 1443 and died in 1490. Kiss Dénes tells a bit about his historical research towards writing his three volumes on Hungary’s favorite king. Interview by Kóka Rozália
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New Record: Tükrös Band – Our Transylvanian Heath – Mezőség. „...this is the music that made us decide to make Hungarian folk music an important part of our lives...” Released: 2008 FolkEurópa FECD040
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Jászberény, Hungary: August 2–10, 2008. During this time period the Jászság Folk Dance Ensemble sponsors a plethora of events – all worth checking out: The Csángó Festival 27th International Folk Dance And Music Camp (Aug 2–9) 2nd ’Folkologia’ Folk Music Camp All held in the nice town of Jászberény approx 60km due east of Budapest.
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Kodály Zoltán – The Folk Music Researcher: Part 3. More excerpts from the photo and document exhibition which was at the Hungarian Heritage House in Budapest last year. Curated by Pávai István Themes addressed: Hungarian folk music’s: eastern roots / western infl uences; relationship to neighboring ethnic groups; folk music research at the Academy of Sciences. (quotes from Kodály’s various writings dated between 1931–1964)
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Part II Széki Soós János writes another episode about life in his native village of Szék (Sic) in Transylvania: a tale about collectivization of the farm animals in 1960, when the Calvinist minister left town and the funeral of a young man from the village.
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On May 4, 2008 in Temesvár (Timisoara, Romania), there was a dance performance: the culmination of 8 years of work by members of the nearby Szeged Folk Dance Ensemble. Th e project was to teach Hungarian folk dance to children of the scattered Hungarian population in several towns (Végvár, Lugos, Zsombolya, Detta, Temesvár) in that area of Romania. The performance was well attended, well recieved and the project as a whole duly complimented here. Report by Demarcsek György
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Part II: The life of Dr. Gerzanics Magdolna. In this part of the account, we hear about her adult life and professional career. Her work as a teacher and collection and research work on folk songs, folk art/customs and language in Komarom/Esztergom County is well respected and has won her many awards over the years. She earned a number of college and university degrees (in music education and ethnography) and has published many many articles and books. She presently lives and continues her work in Budapest. As told to Kóka Rozáli
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Ethnomusicologist Vargyas Lajos, dance researcher Pesovár Ernő and ethnographer Andrásfalvy Bertalan recall some early expeditions collecting folk music and dance and working together in the 1950’s and 60’s. These are excerpts from the portrait film on Vargyas entitled ’Kerítésen kívül’ from 2000. Both Vargyas and Pesovár have died in the last year thus leaving large gaps in the research community in Hungary. These selections were transcribed by Szőkéné Károlyi Annamária and edited by a group from the Institute of Musicology.
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On the music of the Moldavian Csángó Hungarians, the former Táltos Band (they accompanied the Kertészeti – Gardening and Agriculture –University’s dance group in the second half of the 1980’s), certain theories on the drum and bagpipe and other language connections pointing to the Hungarianness of the Moldavian region. By Kozák József
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On the music of the Moldavian Csángó Hungarians, the former Táltos Band (they accompanied the Kertészeti – Gardening and Agriculture –University’s dance group in the second half of the 1980’s), certain theories on the drum and bagpipe and other language connections pointing to the Hungarianness of the Moldavian region. By Kozák József
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Lévai Péter, senior lecturer – Hungarian Academy of Dance, has written an academic paper on the signifi cance and importance of games and play in a child’s development, and methods of teaching dance movement to children. ’....The main model for teaching dance movement in Hungary has been, since the beginning of institutionalization of dance, demonstrationimitation.... Understanding of the structure and parts of movement are also useful for bringing dance students to a higher level of creativity in dance (...), along with ’indirect methods’ of teaching...’ (assumably through play and games). Includes bibliography. Note: The list of 2008 summer folk dance, music and crafts camps and workshops in Hungary and surrounding countries was printed in the previous issue of folkMAGazin (2008/2).
By Sue Foy
4
English Table of Contents 2008/4
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Introduction by the editors
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Potta Géza Folk Music Talent Search and Competition. Date: November 29, 2008 – Révkomárom (Komarno, Slovakia). Two categories: 1) String bands, 2) Solo fiddle
Participants must select material from one of 3 categories: The Mezőség region, repertoire of Potta Géza – Abaújszina [Sena, Slovakia] or any region of Slovakia. Contact info in announcement in Hungarian.
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’Accredited’ Dance Weekends at Hungarian Heritage House – 2008. October 4/5: Dances of Tirpák (Northeasten Hungary); December 6/7 Dances of Felcsík (Transylvania); Saturday 10–6/Sunday 9–1. Teaching language : Hungarian. Organized mainly for experienced Hungarian dance teachers, or other with more than 5 years of dance experience. Further info in announcement in Hungarian.
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The Bukovina Székely Festival was held June 20–21, 2008 in the village of Tevel in Hungary’s Tolna County. The event, organized for the 14th time by the National Bukovina Székely Association, included photo exhibition, traditonal crafts market, ethnographic exhibition and release of a book of Bukovina Recipes. A traditional wedding was staged – with 1500 ’wedding guests’– members of some 25 folk dance and folk singing groups from communities of Bukovina Székely people from several regions of Hungary. [Bukovina is a region located today partially in Northeastern Transylvania/partially in the Ukraine. The Székely Hungarians were expelled from the region in 1941 then transported and resettled eventually in Hungary]. Report by Fehér Attila and Péter László.
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The Bukovina Székely Festival was held June 20–21, 2008 in the village of Tevel in Hungary’s Tolna County. The event, organized for the 14th time by the National Bukovina Székely Association, included photo exhibition, traditonal crafts market, ethnographic exhibition and release of a book of Bukovina Recipes. A traditional wedding was staged – with 1500 ’wedding guests’– members of some 25 folk dance and folk singing groups from communities of Bukovina Székely people from several regions of Hungary. [Bukovina is a region located today partially in Northeastern Transylvania/partially in the Ukraine. The Székely Hungarians were expelled from the region in 1941 then transported and resettled eventually in Hungary]. Report by Fehér Attila and Péter László.
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Announcement for several series of children’s/teenagers folk arts programs (music,folk dance, Hungarian Renaissance year, folk customs) held at the Hungarian Heritage House in Budapest. See Hungarian announcement for contact info/dates.
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Young Masters of Folk Arts. Those awarded this national title for 2008 were congratulated by State Minister Hiller István in a ceremony at the Hungarian Museum of Fine Arts on August 20th. See announcement in Hungarian for names. 4 young people won in dance, 11 in the category of folk crafts.
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Magtar – Literary column. The eternal soul. Writer and poet Juhos-Kiss János writes on the death of a friend.
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45th Europeade – International Folk Dance Festival. This large scale festival of amateur dance groups was hed this year July 23–27, 2008 in the town of Martigny, Switzerland. There were more than 5000 participants (including groups from Hungary). The 5 day festival took place in 9 locations. In 2009 the festival will be held in Klaipeda, Lithuania; in 2010 in Dachau, Germany. Report by Mikulai Csaba.
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45th Europeade – International Folk Dance Festival. This large scale festival of amateur dance groups was hed this year July 23–27, 2008 in the town of Martigny, Switzerland. There were more than 5000 participants (including groups from Hungary). The 5 day festival took place in 9 locations. In 2009 the festival will be held in Klaipeda, Lithuania; in 2010 in Dachau, Germany. Report by Mikulai Csaba.
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I like Széki Soós János’ short stories. I save them for last, my reward, when reading through the folkMAGazin articles. Mostly tales from Soós’ own early life in Szék. This one is about the first day he was sent to preschool; he simply didn’t go to school. He and two friends instead chose the lane that led through the Romanian graveyard and into the vineyard – where they spent the morning. His mother immediately figured out he hadn’t gone to school, and instead of forcing him go – bought chickens, ducks, and so on for him to tend...
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In the Wake of History. Mrs. Ludányi András (Gaál Annamária)’s personal account of her life and the saga of her family during the war and since then. She was born in 1944 and was baptized while Budapest was being bombed in WWII. Her father was taken away by the Russians when she less than a year old. They never saw him again. From then on, she lived with her mother and grandmother like others during that period, especially anyone having any connection with any part of society unpopular with the government in power. Her grandfather had been a general and her father a lawyer before WW II. The authorities moved them from one place to another where they shared houses/ rooms/ apartments with many people in many different towns. She finished school at the age of 15 and went to work immediately, knowing that she had no chance of further study under that government. Eventually she, her mother and grandmother made a contract with an elderly woman in Budapest who needed care, in exchange for which they inherited her flat. She cared for her mother and grandmother until she met her husband in 1995. She now lives in the USA. As told to Kóka Rozália.
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Hungarian King Matthias in Moldavia. In Hungary this is the year of King Matthias Corvinus – a celebration of the height of the Hungarian Renaissance. Here we have a historical-ethnographical study attesting to how the memory of King Matthias lives within the ethnic Hungarian Csángó people in Moldavia today, along with historical references to King Matthias himself having actually been in Moldavia – with particular reference to the villages of Klézse (Cleja, Romania) and castle ruins in Moldvabánya (Baia, Romania). By Halász Péter. (includes bibliography)
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Part IV: Ethnomusicologist Sipos János – Folk Music Research. A comparison of folk songs from two ends of the Kazakh steppe. Today western ethnomusicology deals mainly with questions and methods taken from social anthropology. Analytical and comparative folk music research, often thought of as old-fashioned, may find new strength, as for example the Hungarians work on comparing Hungarian folk music with that of its various neighbors. Here almost parenthetically Sipos János tells us first about a recent experience doing field research amongst the Huichol Indians of Mexico. He attended an Easter celebration where all filming, photography and sound recording was prohibited. Sipos then goes on to give a technical overview of melodic structure – comparing the traditional music of the western Kazakh region on the Caspian sea with the melodies of the Mongolian Kazakh people.
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Growing grapes in the village of Visa ( Vişea, Romania ) – Mezőség region of Transylvania. An account of local traditional grape farming methods as told by Fodor ’Selyem’ János and his wife Erzsébet (who are also exceptional dancers in the village). By Henics Tamás, Source: Kiss Géza: Visa fényképes krónika, 2006.
By Sue Foy
5
English Table of Contents 2008/5
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Novák Ferenc’ (choreographer, long-time director of the Honvéd Ensemble) account of his fi rst trip to Szék (Sic, Transylvania, Romania) in 1958 to do field collection work on the dance there. Novák went to Szék upon the recommendation of dance researcher Martin György because no research on dance had yet been done there. At that time there was no public transportation to Szék at all, one had to walk in, more than 10km. This account was first published in 1960 in the June issue of Néptáncos. Novák wrote his thesis in university on the dances of Szék [’The societal role of dance in Szék’] which has since been published by Planétás Press as a chapter in the book entitled ’A széki hangszeres népzene’ [’Instrumental Folk Music in the Village Szék’].
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folkMAGazin’s special issue In memory of Vargyas Lajos. Edited by Szőkéné Károlyi Annamária and Vargyas Gábor. Vargyas Lajos, Hungarian ethnografer, ethnomusicologist, dance researcher, died on October 11, 2007: this special issue of folkMAGazin honors him and his work, focusing especially on Vargyas’ connection with the village of Áj [Háj] in southern Slovakia, using Vargyas’ autobiography (published in 1993, Szépirodalmi Press, Budapest) as a point of departure.
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Food and tradition – 15th, 16th century Ottoman Turkish cuisine. The author refers mainly to writings on the subject by Professor Arif Bilgin. The focus is on food in the Topkapi Palace in the given period and includes descriptions of eating customs and types of dishes. Period Turkish meals included breads, soups, pilafs and meat dishes. Recipes offered: cheese filled filo dough ’cigars’, joghurt soup with tarragon, chickpea-lentil soup, a farina-cheese desert, ’Noah’s pudding’. By ethnographer Juhász Katalin.
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Report on the dance festival held on October 4, 2008 in the tiny village (400 residents) of Vice [Viţa] in the northern Mezőség region of Transylvania. This folk dance and song meeting, mainly of local groups, was held this year for the 13th time and has helped to keep the dance tradition alive in the region. This year a choreography performed by the Harghita Székely Folk Dance Ensemble brought the dances of Vice alive (especially the men’s dance ) – the piece is based on archival fi lms made in 1971 of the dances of Vice. Report by Vice Parish priest /psychologist, Lőrinczi Károly
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Announcement for launch of a website including a collection of tales about Hungary’s Renaissance King – Matthias Corvinus (1456–1490) – told in Hungarian. (http://matyasmesek.oszk.hu/) Report by Kóka Rozália
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Bognár Szilvia is one of the most popular young singers in Budapest’s dance house movement today. Her new solo recording will be released sometime in November 2008. She sings traditional folk music, old music and mixtures of contemporary rock and folk. Check her discography in the Hungarian article. Interview by Erdélyi T. László
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This issue’s literary column: poetry by Mesics György ’Mesó’ who is also a fiddler.
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The Hajdú Dance Ensemble celebrated their 55th anniversary in Debrecen October 11–18, 2008. More than 400 dancers took part in the celebration. Present directors of the ensemble: Lovas Bálint and Tiszai Zsuzsa. Report by Krakkó Ákos
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The Hajdú Dance Ensemble celebrated their 55th anniversary in Debrecen October 11–18, 2008. More than 400 dancers took part in the celebration. Present directors of the ensemble: Lovas Bálint and Tiszai Zsuzsa. Report by Krakkó Ákos
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Part I. The story of Rajec Molnár Erzsébet – born in the city of Pozsony (Bratislava) in 1931. Her father was Hungarian (a tailor), her mother was ethnically German. After WW II, her family was uprooted and deported to Hungary, like many, many families simply because they were Hungarians. This part of the story tells about her childhood and schooling in Pozsony, their deportation, relocation in Budapest where she finished high school and then started working as an interpreter. As told to Kóka Rozália
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Report on Szinavölgyi Dance Workshop’s performance in Miskolc on October 18, 2008 (Artistic directors : Kiss Anita and Maródi Attila). The amateur group’s exceptional performance of turning dances is praised here: ’...the dancers turn with extraordinary confidence...’. The accompanying band, Tényleg Band, was also complimented. This report also offered an opportunity for the writer to put in a few comments on general lack of public support for folk dance groups. By Demarcsek György
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Szeredás Band celebrated their 15th anniversary on September 27th in Debrecen at an event which included performances by Boka Gábor, Bodrog Folk Dance Ensemble, Hajdú, Főnix and Szélrózsa folk dance ensembles, the Csík Band, Burány Trió and Szalonna and his band. Ethnographer Darmos István looks back on 14 years of working with the band.
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The Kaláka Festival is a world music festival that happens every year the second weekend in July, in the city of Miskolc, with most of the events held in the ruins of a castle in Diósgyőr on the outskirts of town. The Kaláka Band, who started the festival, play there every year and still participate in organizing the festival. Kaláka Band itself is an institution in Hungary, they play folk music and several generations have grown up on their music. The festival usually hosts several bands from outside of Hungary and a long line-up of the biggest names in Hungarian traditional, folk and world music. Plans are already underway for the 2009 Kaláka Festival, and the festival’s 30th anniversary. Given the economic situation here in Hungary, there is less and less public funding available to support these kinds of events, so the 2009 festival is planning a great program of Hungarian bands (rather than bringing bands from abroad). Report by K. Tóth László
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Review: Prophet from the past: more information on Molnár István’s work and personality. In his time, Molnár’s work was often at odds with the cultural policies of the political powers. Performances of his choreographies Dobozi csárdás and Marosszéki táncok by the Honvéd Dance Theatre and the Hungarian State Folk Dance Ensemble respectively, in the September 16th anniversary program, are praised as having been ’exceptionally inspired’. Unfortunately nowadays Molnár’s works are not part of the regular repertoire of any of the dance ensembles. By Fuchs Lívia – appeared in Élet és Irodalom, 2008 Sept. 26.
By Sue Foy
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English Table of Contents 2008/x
Page 4
Vargyas Lajos and the village of Áj (by Vargyas Gábor)
Page 6
My dissertation (excerpt from Vargyas Lajos’ book “Keritésen kivül… [Outside the fence. Memories from my life]).
Page 13
Vargyas Lajos’ report on his folk music research in the village of Áj. Budapest 1940 May 8. (published at the time in a universtiy journal ) – this is where Vargyas summarizes the results of his field work including the number, nature, use, types, origins, etc of the folk songs he collected.
Page 14
The fate of my dissertation (excerpt fromVargyas Lajos: “Keritésen kivül… [Outside the fence. Memories from my life].)
Page 15
Lölkös István: Praise for the method - review of Vargyas’ doctoral dissertation on the music life of the village of Áj (Slovakia).
Page 17
The doctoral degree and feedback (excerpt from Vargyas Lajos “Keritésen kivül… [Outside the fence. Memories from my life].)
Page 19
Vargyas Lajos: Hungarians from Végvár in Upper Hungary (today Southern Slovakia) reprinted from “Új Élet” Rozsnyó/Rožňava, 1940.
Page 23
Vargyas Lajos and the village of Áj - the story of a relationship - Part 1. (By Vargyas Gábor)
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Vargyás Gábor: How “The music life of the village of Áj” (the original title of Vargyas’ dissertation) became “The music world of a village in Upper Hungary - Áj 1940” when it was published by Planétas, Budapest in 2000.
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Bereczky János: Vargyas Lajos and his monography of Áj (speech from March 31st, 2000)
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Bereczky János: book release in Áj - October 7th 2000 (from the Hungarian Kodály Society News
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Vargyas Lajos and the village of Áj the story of a relationship - Part 2. (By Vargyas Gábor)
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Letter to Vargyas Lajos from Mikó István – member of the Áj folk singing group
Page 38
Vargyas Lajos honorary citizen of Áj - presented by Gajdos Irén mayor of Áj/Haj, Slovakia in Vargyas’ Budapest apartment on March 26, 2006
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Vargyas Lajos honorary citizen of Áj - presented by Gajdos Irén mayor of Áj/Haj, Slovakia in Vargyas’ Budapest apartment on March 26, 2006
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Vargyas Lajos’ final journey 2007 October 29. (the funeral)
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Vargyas Lajos’ final journey 2007 October 29. (the funeral)
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Vargyas Lajos and his typists
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Vargyas Lajos and his typists
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Borszékiné Rétháti Ágnes writes about the 11 years she worked as a typist for Vargyas Lajos at the Museum of Ethnography in the Folk Music Research Group and the impact it had on her life. When she began work on September 5th 1953, she was 15 years old. She had finished elementary school and a one year course on short hand and typing. The department hired her and took her under their wing. Each colleague was given a subject to teach her – everything about music.
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Szőkéné Károlyi Annamária: Vargyas Lajos and the folk music research group (of the Hungarian Academy of Sciences)
In 1970 when she was 16 years old Szőkéné Károlyi Annamária was hired as a typist at the Folk Music Research Group of which Vargyas Lajos was the director. The group had just moved up to Budapest’s Castle Hill. She still works at the same place. She writes about working closely with Vargyas Lajos and with the other researchers in the department.
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Short biographical information on Vargyas Lajos and list of his main works
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Short biographical information on Vargyas Lajos and list of his main works
By Sue Foy