Nyitólap arrow 1999/2
1999/2 E-mail

mag99_2English Table of Contents 1999/2


Page 3
Halász Péter writes about Hungarian folk music and the media, citing statistics on the amount of program time Hungarian folk music gets on the three major Hungarian TV stations, what is and has been considered folk music at all and discussing the necessary struggle to uphold tradition first within ourselves, our family, our immediate surroundings and then we can talk more about the media.

Page 4-5
Campfire. An excerpt from the book Muzsikás évtizedek by the late journalist and writer Bankó And rás. This many layered selection from the book which was published in Hungarian by the Kós Károly Foundation in 1994, touches on everything from the dance house movement, the Muzsikás, field work collections in Slovakia to politics and war.

Page 6-7
Leatherwork has always been an important craft of the Hungarians, with the some of the oldest methods still in use today. Császi Erzsébet interviews traditional leather worker Horváth Tibor and his wife Horváth Csanálosi Katalin of Füzesabony, Hungary about their work.

Page 7
With the help of Agócs Gergely, Hungarian musician and ethnomusicologist from Slovakia, K. Tóth Lász ló interviews a fiddler from village of Horhat in the Tatra Mountains of Slovakia and treats us to further information about traditional music of Slovakia; the area that the Hungarians refer to as "Felvidék", for example; the music of Horhat and the music of Szászcsávás (a village in Transylvania) can both be considered as belonging to the wider category of the music Carpathian Basin.

Page 8
The Hungarian National Museum of Ethnography in Budapest's 5th district announces two special exhibits: 500 chairs from the museum's collection. On exhibit from May 21st through September 24, 1999. Indian (native american) and eskimo handcrafts from both North and South America. On exhibit from March 19th-December 31st, 1999. In November there will also be an exhibit of photos from Mexico.

Page 9
Pávai István offers a description of the newly established "Hagyományőrző Műhely" (tradition preservation workshop). This is the in-house archive of the Hungarian State Folk ensemble which cooperates with the other Hungarian archival institutions and operates an up to date multimedia (audio, visual, digital) documentary data base. The library of the great Hungarian dance ethnographer, Martin György has recently been placed here.

Page 10-11
Kocsán László writes a well documented article on the folk beliefs, superstitions, spells, folk tales and customs of the Jász people, an obscure ethnic sub-group of Hungarians which resides east of Budapest in the Jászberény area.

Page 13-23
Information, Announcements

Page 14-17
Music, dance and handicraft summer camps

Page 18
Annual Festival of Folk Arts and Crafts, August 19-22, near the Palace on Castle Hill in Budapest.

Page 18
14th Hungarian National Pottery Competition This competition encourages Hungarian potters whose work "upholds regional traditions while developing them in contemporary, new forms". The work of 37 potters from all over Hungary is on display in Kecskemét at the Museum of Folk Crafts from May 28th through October 2, 1999.

Page 19
A little information about the tradition of braiding wheat straw on the occasion of an exhibit of woven straw handcrafts at "Tímárház" in Debrecen, Hungary. By Hubert Ezsébet, ethnographer.

Page 22
Traditional music today in the southern Hungarian town of Mohács Part one of an in-depth study by Avar Anna (musician and student of ethnography) that gives the historical background of the Sokác ethnic group and the musical instrument they call "tambura".

Page 26
The Alba Regia Dance Ensemble of Székesfehérvár just celebrated its fiftieth anniversary in April when many generations of dancers gathered together for the event. by Botos József.

Page 26
An interview with the prolific and creative musician, Kiss Ferenc, about his newest CD "Nagyvárosi bujdosók" (the record notes are in Hungarian, but the Eng lish words "obscure organic music" appear somewhere on the cover), about the ups and downsof categorizing music, about a traditional jewish music CD which he has also been working on and about theatre music projects he is currently involved in, and so on. by K. Tóth László

Page 27
Záhonyi András offers some thoughts on a new program of dances by the Maros Dance Ensemble of Marosvásárhely, Transylvania, Romania. This ensemble has drastically changed their style over the past few years, stepping away from the balletic Moysejev style in a more authentic direction.

Page 29
Part two of an Anatomy of the Folkdance Festival in Szeged. Here Simoncsics János discusses the financial and organizational/direction aspects of this festival.

Page 30
Since February this year there have been two several week courses in Budapest by two extraordinary traditional flute players: Legedi László István of the village of Klézse, in Hungarian Moldavia, Romania and Tímár Viktor of Hidegség, Gyimes, Transylvania. Both of these courses offered the oppor-tunity to learn from these two musicians here in Budapest; a vast difference from the situation of just a few years ago when the only way to meet and learn from these people was to travel to them.
By Benkő András

Page 31-32
A critical review of four audio recordings released in 1998 specially in celebration of the 150th anniversary of 1848-49 Hungarian revolution. The recordings reviewed here by "Smirgli" are: Békés Banda: Huszárverbunk Egyszólam-Kalamajka: Megütik a dobot Jánosi Együttes - Kobzos Kiss Tamás: Kossuth izente eljött... Téka: Huszárgyerek, huszárgyerek


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