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mag00_2English Table of Contents 2000/2


Page 4-5
Should professional dancers be able (allowed) to perform in amateur folk dance festivals? – Part two – It seems that Szigetvári József has got ten plenty of responses to the above ques tion he posed in the spring issue of folk MAG a zin. There is general agree ment at the moment that some official decision should be taken on the matter and some rules be made by the entities which or ga nize and sponsor such juried festivals and competitions. Any thoughts, opin ions and arguments are still invited on the matter.

Page 7-13
Music, dance and handi craft summer camps

Page 14-16
As a singer, story teller and ethnographer, Berecz András has an intimate relationship with a particularly rich side of the Hungarian lan guage and he offers some great exam ples bearing witness to the fact that language and intellectual creativity are not confined within the walls of cities and universities. Here are tidbits from his extensive travels talking to people, collecting and performing in the country side throughout Hungary, Transylvania and other areas where Hungarians live. Interview by Léka Géza

Page 17
Upon release of a New CD: Dimó Dalai (Dimó's songs) Etnofon In a conversation with folk musician Éri Péter, the editor of this CD, we hear not only about the extraordinarily talented Gypsy singer of this recording, but also about the work of the great Hungarian ethnographer Martin György who made the field recordings that are being released here for the first time on CD. An enormous amount of recorded material has been left in the estate of Martin György, this recording is the first of a series which will present selections from the wealth of valuable material. Jávorszky Béla Szilárd – from the Budapest daily Népszabadság

Page 20-21
Árendás Péter, kontra player of Budapest's Tükrös Ensemble reports on their month long tour to Australia in April. They were hosted by the Kengugro Dance Ensemble and the Transylvaniacs Band of Sydney. "Here at home when we go out to a táncház it probably doesn't even occur to us what a great thing we've got here, we can do this several times a week; we can hear and dance to live music. In Australia this is just a dream: an entire Hungarian band playing folk music... happened the last time 14 years ago..."

Page 24
In dedication and celebration of dance, music, youth and fabulous display of ethnic variety. The speech that opened the Gala program of the National Táncház Festival in Budapest in March 2000. Dávid Ibolya, Hungarian Minister of Justice.

Page 24-26
Commentary on the National Dance House Festival of March 2000. (Forthe first time in at least 15 years the annual dance house festival had to be held in a different place. The reason: the former location of the event, the Budapest Sports Hall, burned down in De cem ber 1999.) This year the event was held at the agricultural and commercial fair grounds in Budapest. As Vitányi Iván put it in his article, "not really the ideal place for a cultural event." But he goes on to say that neither he nor anyone else has come up with a better solution for where an event of such magnitude could concievably be held. The Sports Hall wasn't ideal either. This year the fair grounds of fered more fresh air and space, but the sound was atrocious (is it possible to engineer good sound in a place like that?) and the dance floor was asphalt. However it continues to be an enormously popular and well attended event both for those who have never seen anything like it and for those who have been involved in the folk dance and music scene forever and want to run into every one they have ever known.

Page 34-35
Nyisztor György of Méhkerék (1922-1987) by Gombos András. A study on an extraordinary dance personality from the ethnically Romanian village in Békés County in Eastern Hungary. Largly a listing of this traditional dancer's achievements, entries on him in the archives, his students and existing written materials on this man's dancing, with some comment on the changes in the role of local dance traditions during the later portion of his life and on how his relative fame and resultant travels affected his life.

Page 36
An elderly woman from the (at least in these circles well-known) Transylvanian village of Szék, talks about her life. In summary it is some thing like this: she was sent to the nearest city to be a servant at age ten because of her family needed money to feed the younger kids still at home. During her 11 years of work in the city she was only able to go home once. The woman she worked for in Kolozsvár had offered to sponsor her education to be an actress, but her mother wouldn’t have it because of the "bad morals" of the theatre life. She got married at age 21 and from 1931 to 1951 she bore ten children. All of which lived. She has 42 grandchildren and still lives in the vil lage of Szék in a house made of some thing like adobe. And after all that her comment on the future: "May the earthly peace be eternal, because there is room for everything in its flow that starts with love..." Written by Soós János

Page 43
Avar Anna reports that for the first time, musicians from within the borders of Hungary were invited to be guests of the "Final Hour" collection project at the Fonó; a program involved in bringing tradition al village musicians to Budapest for four days to record their musical repertoires. These first "Hungarian" guests were traditional tambura musicians from Southern Hungary from the town of Mohács and the village of Lothárd in Baranya County.


Sue Foy

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