2014/5:
Marton László Távolodó – Délszláv találka | Kóka Rozália – Elhivatottak a végeken – „A gyerekek jelentik a jövőt...” (Beszélgetés Demény Károllyal, Sárszentlőrinc polgármesterével) | Megidézett Kárpátalja – Hágókon innen és túl (A Magyar Állami Népi Együttes bemutatója) | Bereczki Ibolya – Tájház-találkozó és díjátadó Cigándon | Grozdits Károly – Régizene és népzene mezsgyéjén (Beszélgetés Kobzos Kiss Tamással) | Kóka Rozália rovata – Régiek szerelmeA szépasszon s az ura; A három szerető | Programajánló: A Nemzeti Táncszínház programjaiból | XII. Dél-amerikai Magyar Néptánctalálkozó | Széki Soós János – Ostor és koporsó | Stoller Antal – Bartók-megemlékezés és Nagybúcsú Jobbágytelkén | Hortobágyi Gyöngyvér – A jövő csillagai | CD-ajánló: Budai Ilona karácsonyi CD-je | Záhó – I. Kárpát-medencei Táncházzenészek Találkozója | Fotógaléria: Farkas József – I. Kárpát-medencei Táncházzenészek Találkozója | Tallózó – Agócs Gergely: A mesterség elsajátításának társadalmi intézménye a cigányzenészek körében – Szlovákiai magyar példák (I. rész) | Írói küzdelmek – Közreadja: Juhos Kiss Sándor és Juhos-Kiss János) – Kocsis Rózsi – A lélek embere? | Bolya Mátyás – Prímásnak születni kell? (Gondolatok a balatonfüredi prímásverseny kapcsán) | Ételek – Hagyományok: Juhász Katalin – Gasztronómiai kalandozás a Körös völgyében II. (Gyomaendrőd és környéke) | Könyvajánló – Kabdebó Lóránt: Piros pipacs a vágy (Juhos-Kiss János versei elé) | Merczel Sára és Bogdán Gergely – „Telepiek” (A kaposszentjakabi cigány tánchagyományokról) | MAGTÁR – Fábián Gyula András versei | Nemes Szilvia – Zalai nyertesek, új irányok (...avagy „egyszer lesz Budán Zalai Gála!") | Programajánló: A Nemzeti Táncszínház programjaiból | Berta Alexandra – A citeratanítás módszerei az alap- és középfokú oktatásban | CD-ajánló – Balogh Sándor – Berta Alexandra: Lelkem a lelkeddel | Sue Foy angol nyelvű ismertetője
Admin






1997/1
 

2006/2
 

2011/2
 

2009/3
 

1996/1
 

2010/2
 

2008/x
Nyitólap arrow Blog
2002/4 E-mail

mag02_4English Table of Contents 2002/4


Page 7
Kiss Ferenc - musician, composer, director of Etnofon record label, publisher of folk and ethnographical publications, founder of the Héttorony Festival. A prolific mind with a wealth of ideas. Active in encouraging discourse amongst colleagues on tradition preservation. Kiss has now even applied for funding to make documentary films... Interview by K. Tóth László

Page 10
"The Brashov Train Station" An event staged at the Kelenföld Train Station in Budapest in November of 2002, directed by Diószegi László and Szántó Zoltán. Included 3 bands of traditional musicians from Transylvania and Romania, dancers and musicians from Budapest. Article by Babarczy Eszter (appeared in "Népszabadság" 2002 November 16.)

Page 12
4th Vienna Dance House Festival. Held on 2002 Nov. 9 at Collegium Hungaricum Report by Henics Tamás Performances by local dance ensembles, Csik Band, Galga Band, Berecz András and a host of dance teachers and musicians including members of Muzsikás Ensemble.

Page 14
Fall folk dance festivals outside of Hungary Dance house festival in Vajdaság (Voivodina) The 8th festival of southern Hungarian folk dance was held on October 12, 2002, in the town of Csóka. More than 1000 people gathered at the Vajdaság Hungarian Folklore Center for the event. Festivals that were held in Transylvania in November: Sepsiszentgyorgy (Sfintu Gheorghe) Szamosújvár (Gherla) - Mezôség Nagykároly (Carei) in northwestern Transylvania, Szatmar county. Report by Záhonyi András

Page 15
The András Foundation started a program in 2001 to encourage dancers, musicians and singers from the Hargita National Székely Folk Ensemble of Transylvania, to pass on their knowledge by teaching local youth. On 2002 November 29 - the Friday before (St.) András Day, childrens groups from at least six local villages gathered for performances, followed by dance house. This was the fourth annual such gathering in Transylvania (unfortunately the report doesn't mention exactly where the event was held). The teaching program is supported by 4 Hungarian organizations including the Hungarian Ministry of Education. Report by János Enikő and Bodi Ildikó

Page 16
The Forrás Folk Dance Ensemble toured in Mexico. Report by Szigetvári József

Page 18
The Fonó Band: MIXTURA CULTIVALIS - a new CD.

Page 18
Publication announcement: "A magyarság népzenéje" (Folk music of the Hungarians) The large scale comprehensive work of Vargyas Lajos. Edited and revised by Paksa Katalin. Book includes: more than 1000 examples of music noatation, 10 CDs of 433 melodies. Published by Planétás Kiadó, part of the series entitled "Jelenlévő múlt" . Released on 2002, Nov. Announcement by Dala Sára

Page 19
Conversation with singer Herczku Ágnes. Upon the release of her solo CD: Arany és kék szavakkal (In gold and blue). Ági started out studying dance, in 1997 went to dance with the Honvéd Ensemble, then came more and more invitations to sing and now the CD (backed up by a lot of good musicians) with songs mainly about life in love.
By Sándor Ildikó

Page 21
2002 Series of Performances by Hungarian amateur folk dance ensembles. These performances were judged by a professional jury, rating the level of expertise of each ensemble According to the system of qualifi cation reorganized in 1996, groups are re-evaluated every two years. This year 71 groups were evaluated at six diff erent events. Summary by Diószegi László - Jury member, choreographer, president of the Martin Folk Dance Association

Page 22
In the town of Székesfehérvár about 70 km south of Budapest, recently there was an exhibition at the City Gallery showing Hungarian dance history in the pictorial arts from 1686 to 1940. Karácsony Zoltán summarizes the exhibition from - as he puts it - "a dance folklore point of departure". This article gives a certain broad historical picture of Hungarian folk dance.

Page 27
Méra (Kalotaszeg region of Transylvania) September 22, 2002. An event celebrating the opening of their regional house-museum and 20th anniversary of the foundation of the local tradition preserving [practicing] performing group. This renowned and extraordinary rural community has been frequented by the most famous music and dance researchers, folklorists both Hungarian and foreign, for nearly a century. In celebration there were performances by the group from Méra, 7 other local villages and two groups from Hungary. Borbély Jolán

Page 28
Szomjas György's newest film is to be premiered at the Hungarian Film Festival in Budapest in February 2003. This is a film about Budapest's dance house scene - the táncház movement - a story told mainly through music and dance. Photography: Grunwalsky Ferenc Musical director: Kiss Ferenc Dance director: Zsuráfszki Zoltán Director: Szomjas György

Page 29
In celebration of Erdélyi Tibor's 70th birthday. Pesovár Ernő's speech heard on the November 23, 2002 evening presenting works by Erdélyi Tibor, at the Hagyományok Háza (Corvin tér) in Budapest. Érdelyi Tibor hails from northeastern Hungary's Szatmár county. Still active as dancer, choreographer, folk artist, woodcarver, teacher, Érdelyi's many faceted work is well known both in Hungary and abroad.

Page 30
Report on a festival organized for the 7th time in the village of Vice (in Transylvania). Following the festival, the Hargita National Székely Folk Ensemble gave a series of performances in other scattered communities of Hungarians in the Mezőség region of central Transylvania.

Page 31
Discussion on preserving Hungarian tradition: During a festival organized on the occaision of the 10th birthday of the Etnofon record label - a group of people who work in this field were invited to participate in a professional theoretical discourse. Pavai: "...In its original environment [tradition] wasn't preserved, it lived. The peasants had no goal of protecting their traditions...; this is an intellectual endeavor..." Printed here are notes from the discussion which indicate: there are varying opinions on just what is the best way to preserve tradition, there is a conscious eff ort to do so and that several types of Hungarian institutions are involved in this activity. Themes discussed were: what the process of globalization will do to folklore, the role of the dance house city revival movement, various Hungarian archives, the merits of the institution newly reorganized in 2001, now called the Hungarian Heritage House: previously two organizations: Hungarian State Folk Ensemble and [Hungarian] Institute of Culture, with the addition of an archive housing Martin György's library and other renowned collections. Opinions were voiced by: Pávai, I.; Kiss, F.; Diószegi, L.; Berán, I.; Fekete, M. ; Éri, P.; P. Vas, J.; Lelkes, L.; Halmos, B.; Fügedi J.

Page 35
January 10-12, 2003, the 16th solo dance festival (a juried competition) will be held in the town of Békescsaba in eastern Hungary.

Page 44
Kóka Rozália - Going from House to House. Telling the story of her own family's Bukovina Székely origin and the process of her reconstruction of the Bukovina bethlehem pagent plays. A widespread Christmas custom that varies from region to region, entailing a group of people going from house to house bringing greetings in memory of the birth of Christ and for St Stephen's day. We have come not to make comedy Nor to start some humorous game We just came for a little bit of fun And to show you a little example of Christ Praise God in heaven Peace to those on earth To all people benevolent.

Page 47
Soós János - Winter Blessing in Szék. Soós regularly writes these short memoirs for FolkMAGazin about his home village in Transylvania, off ering to those of us not from such a village, little tastes of that life. Here, we hear about spinning parties on winter evenings - great gatherings for discussion of local issues, etc over needle work, spinning or other handwork. In such villages, books were rare and treasured items: as a rule only three people in a village owned books at all; the priest, the schoolmaster and the town clerk. Books were brought to spinning parties and stories read aloud. Th is is the story of the first time Soós was asked to read aloud at such a gathering and how he got his first book.

Page 48
Announcements: Varga Edit becomes vice president of the IGF (an international organization of folklore groups)

Sue Foy

2002/3 E-mail

mag02_3English Table of Contents 2002/3


Page 3
A summer afternoon with my father - Soós János from the village of Szék in Transylvania recounts some of his father's stories of his own life.

Page 6
Kelemen László, executive director of the Hungarian Heritage House - on the last year and a half. From "Népszabadság" 2002 aug 24. Interview by Jávorszky Béla Szilárd. This report on progress, present situation and plans, tells that Mihályi Gábor was recently named director of the State Folk Ensemble, Sebo Ferenc as Professional Director of the Hungarian Heritage House. Lajtha, Martin, Pávai, Kallós archives/collections are now housed here, with more archival technology in development. Negociations continue with the Institute of Ethnomusicology regarding future cooperation. Planning continues for the institution's new location.

Page 8
Transylvanian folk dance and music camps of summer 2002: Jobbágytelke - IV. annual Marosszéki folk dance camp. Felsôsófalva - VIII. annual Székelyföld dance camp Kalotaszentkirály - organized for the 12th time - Kalotaszeg dance and music. Kommandó - IV. annual Gypsy folklore camp Vajdaszentivány - VI. annual folk dance and folk music camp. Report by Záhonyi András

Page 11
Volume 1 of the new video series "Hungarian folk costume" - features traditional costume of five regions of Hungary. Available at the Hungarian Heritage House for 4,000. HUF

Page 13
"Honti igricek" - the name of new program presented by the dance ensemble from Pozsony (Bratislava) called "Ifjú Szivek". The new show presents dance and music traditions of the area known in Hungarian as "Felvidék" - the northern reaches of the Hungarian language area, most of which lies within Slovakia. Announcment by Hégli Dusán – ensemble director

Page 14
Dunamenti Folklore Festival 2002 - was held between July 16 and 21 in three towns along the Danube in Southern Hungary. A meeting of authentic folk dance and folk music groups from 16 European countries – a CIOFF sponsored festival. Report by Héra Éva

Page 17
Map the Csángó regions - including Bukovina and Moldavian villages inhabited by the "Csángó" - a Hungarian ethnic group. A detailed map in two languages. Topográf Kft. See Announcement in Hungarian for addresses.

Page 18
CD - Kádár Ferenc (1891-1983), traditional singer and musician from Nagysárrét in Hungary's Great Plain. This traditional musician and singer was discovered by the Hungarian folk music researchers in the 1950's and 60's. On the CD are a variety of recordings made from 1961 on, and have been compiled by this musician's great grandson as a musical portrait and tribute. Announcement by Sárosi Bálint

Page 20
Fonó Band Members of the Hegedos Band (the band that accompanies one of Budapest's professional folk dance companies, the Honvéd Ensemble), upon release of their new recording (to be released by Fonó Records), have decided to adopt a new name for the group which will be used for their musical activities independent from their work with the Honvéd. This fall they will be hosting regular dance houses at the Fonó Music Hall in Budapest. Band members: Ágócs Gergely, Gombai Tamás, Herczkó Ágnes, Kürtösi Zsolt, Szabó Gábor. Interview by Jászai Julianna.

Page 28
A CD of songs from the village of Vágáshuta - in the Zemplén region recorded between 1998 and 2000. Notes from the record cover.

Page 28
Táncház folk music - 2003  Announcement for recording to be released in April 2003. Professional and amatuer musicians and singers wishing to be included on this recording may submit entries of 10 minutes of music on CD by Nov. 4, 2002. For more info, contact Agócs Gergely at Hungarian Heritage House in Budapest.

Page 28
Kettös (name of a couple dance from the Gyimes region of Transylvania) A story about teaching a young girl to dance...as told by Zerkula János. From the cover notes of a new CD to be released by Folk Europa Kft. Ábrahám Judit

Page 30
Táncház listing – an up-todate list of dance houses all over Hungary and Transylvania

Page 31
New Living Folk Music 2003. Those folk musicians, singers interested in participating in this recording should submit sample CD of music by October 31, 2002. Entries will be juried. Inquire: Havasréti Pál at the Dance House Association.

Page 34
Conversation with Berecz András – singer, story teller. Berecz' life story is here. About his family, childhood, how he came in contact with the dance house and what became his passion and livelihood: traditional village song and folk tales. Berecz has travelled far and wide, collecting as well as performing his material. He has recently published a new book entitled "Rokonok söre" an anthology of Chuvash folk literture – with his translations (into Hungarian). By Abkarovits Endre

Page 38
On August 16, 2002 Rákóczi Kovács Gusztáv was awarded the distinguished Master of Folk Arts award. He is a traditional dancer from the town of Nagyecsed in Northeastern Hungary's Szatmár County. His excellent and creative dancing is well known both locally and nationally and has been well documented by the Hungarian dance researchers, with many films of his dancing to be found in the archives. Article by Busai Norbert

Page 40
Jászság Folk Costume - Exhibition at the Jász Museum in Jászberény. This exhibit shows the development of costume of this area of Hungary from the 13th Century through the present. The opening of the exhibition on July 25, 2002 included presentation of an instructional video on costume of three towns in Hungary and the Jászság region with costume demonstration, as well as performances by local chorus and dance group. Exhibit open until June 30th 2003. Article by Dr. H. Bathó Edit – museum director.

Page 42
Kocsán Lázsló, in this issue writes on the outlaws of the Jászság region. Escape from being drafted into military service, and the consequent life of an outlaw is often referred to and romanticised in Hungarian folklore. Here Kocsán offers some information specific to his region.

Page 44
Conversation with Balogh Kálmán. Kálmán, an extraordinary cymbalom player, that has played with just about every Hungarian band of the dance house movement, along with bands and/or music from many other European cultures and styles. He has been classically trained (Liszt Academy of Music) and influenced by his generation and by every music he has come in contact with. In this interview his observations about different styles of music and comments on the role of restaurant Gypsy music in Hungarian culture, go to a deeper layer of understanding and a scope beyond the generally expressed opinions of this genre and generation. Marton László Távolodó – excerpts from his book published by Etnofon, 2001.

Page 46
Conversation with members of the Téka Ensemble This band, formed 26 years ago, named itself after the small cupboard where the valuables of the peasant household were kept – namely: family documents, money, Bible, salt and the pálinka. Band members tell about formation of the band, the early years, how the present band members came to join and current activities. What does this band do? Dance houses, concerts, tours, makes recordings, organizes camps, studies under various village musicians and teach. K. Tóth László

Sue Foy

2002/2 E-mail

mag02_2English Table of Contents 2002/2


Page 3
The present and future of the táncház in Transylvania – article by András Mihály of Csíkszereda (Miercurea Cuic), director of the Hargita...Folk Ensemble. "Will the dance house inTransylvania survive?" – The answer: "Of course! There always were and always will be (dance houses), as long there is a world."

Page 5
Hungarian film director, Szomjas György is currently shooting (and may already be in post production) – a film on the táncház. The Title: "VAGABOND" This will not be Szomjas' first film involving music and contemporary urban Hungarian society. After years of research and preparation via countless TV programs and documentary films on traditional musicians... This should be interesting... Report by Benkő András

Page 8
Letter from Timár Sándor read at an event marking the 30th anniversary of the first táncház held in Budapest. "The dance house is 30 years old" – at Corvin tér in Budapest on May 6th, 2002, featured screening of two classic old films followed by dancing and gossip to music supplied by Halmos-Sebő-Éri nostalgia band. Event was organized by the Dance House Archive.

Page 13
Tükrös Ensemble's New CD Just returned from tour in Australia and on their way to the USA this summer, Tükrös has released a new CD, including music from Gömör region, Abaújszina (both found in the so-called "Felvidék" area), the upper Tisza region and Magyarpalatka. Announcement by Árendás Péter

Page 15
Lily in a rock garden CD by Berecz András – "today's Hungarian shaman". Berecz is famous in Hungary for his renditions of traditional folk tales and his singing. Finally a CD with samples of tales. English translation of tales and songs come with the disk. Review by Juhász Katalin

Page 16
Tátika Ensemble celebrates 15 year anniversary This singing group lead by the reknown Bodza Klára, gave a concert at Corvin tér in Budapest on May 4, 2002. Report by Mrs. Rudas Bajcsay Márta

Page 21
List of the music, dance and handicraft summer camps in 2002.

Page 27
Gyimes – The Babba Mária people An exhibition of photographs by Endrődi Péter was at Marcibányi Square Cultural Center in Budapest from March 27th – April 15, 2002. "...seems he has found the key...to this closed, extraordinary group of people....they let him in, with his camera..." Review by Sándor Ildikó

Page 32
News clips from the VII. dance festival held in Zalaegerszeg, (western) Hungary on May 9-13, 2002. by Záhonyi András

Page 33
Report by András Mihály on activities of the Hargita National Székely Folk Ensemble (a professional dance group) and its training group of Hargita County – the area around Csíkszereda in Transylvania (Romania).

Page 36
Khamoro dance association – conversation with Farkas Zsolt and Szitai Mária, leaders of a course on Gypsy dance that started out in February of 2002. After two monthes of work the group has already had their first performance... classes' good atmosphere characterised by live traditional gypsy music and the relaxed style of the teachers. See article by Bander Csilla in Hungarian for time and location, e-mail address, etc.

Page 37
Part IV – The Jászság verbunk Kocsán László continues his quest of reviving and rediscovering the verbunk of his home area of central Hungary.

Page 43
Lent and the black sheep Soós János' column on culture of the Transylvanian village of Szék - K. Mari's family of shepherds.

Page 46
Conversation with Agócs Gergely – folk musician, folklorist, personality from the area known as Palóc – upper Hungary "Felvidék". By Abkarovits Endre

Page 51
Bagpipers of Hungarian Moldavia part III. by Stuber György

Page 53
Letter to Juhász Zoltán From Stuber György Sue Foy As usual, all names of people here (except mine), have been written "the Hungarian way", with the family name preceeding the given name.

Sue Foy

2002/1 E-mail

mag02_1English Table of Contents 2002/1


Page 17
CIOFF Council elects Hungarian president Szigetvári József has been elected president of the council of this international organization famous for sponsoring and organizing international folk dance festivals all over the world. The next meeting of this international council will be held in mid March in the town of Szászhalombatta (and will include a visit to the annual dance house festival). In 2004, Hungary will host the next large-scale CIOFF international folk festival in the city of Pécs. Announcement by Szigetvári József

Page 18
Conversation with Bodza Klára The singer, Bodza Klára, active and well known as both performer and teacher, celebrates her 60th birthday. Amongst many other endeavors in her career, she founded and has been leading the singing group, Tátika, for 15 years. She inherited her love of traditional song from her parents who were from the Hungarian Plain. She says, "devotion, preservation and passing on our inheritance.....my most important task is still teaching, working with the younger generations." Article by K. Tóth László

Page 21
Gyimesek vidéke (the Gyimes region) - by Váradi Péter Pál and Lőwey Lilla, is the 8th volume in a series of books on selected areas of Transylvania. This newest volume, like the others, is a book of photographs, familiarizing the reader with the terrain, architecture, people, costume and customs unique to each region. The authors - both from Transylvania - are their own publishers and distributors. Gyimes, an area nestled in the mountains on the eastern edge of Transylvania (east of Csíkszereda), is inhabited by Csángó Hungarians. Review by Abkarovits Endre

Page 24
Dance in Hungarian art An exhibition of dance in pictures is being organized by the City Gallery - Deák Collection of the city of Székesvár to be exhibited 2002 August 15 - October 27. Curator of the exhibit is dr. Nagy Zoltán, art historian. The exhibition shall draw primarily on materials from museum collections, but the curators are open to consideration of materials appropriate to the exhibit from the collections of private individuals. (see article in Hungarian for telephone numbers)

Page 37
The Jászság verbunk, part III In these articles, we are witnesses to Kócsán László's academic detective work towards reconstruction the verbunk of his home region, the Jászberény area. Here eight references to the verbunk are cited from historical records from the Jászság area (due east of Budapest) between the years 1778 and 1859. Most references cited involve recruiting endeavors and the verbunk (translated as "recruiting dance").

Page 38
100th year anniversary of the birth of Muharay Elemér The speech by Vitányi Iván printed here, celebrates the life and work of this important figure in folk dance and folk culture movements in the periods before the dance house movement. In 1944 or so, he had 'hoped to...establish a center within the framework of which a professional folk dance company, archive and organizational body could all function.' At that time he wasn't successful in founding such a center. But he went on to be a tireless supporter of the local tradition preserving groups, and many, many other things. The speech was given on November 30, 2001 at the Hungarian Heritage House in Budapest.

Page 39
The dances of Felsőgyékényes in the Mezőség region of Transylvania. After first seeing a group of people from this village performing improvised dances at a folk festival in the Transylvanian town of Dés (Dej) in 1992, Bodó-Bán János spent some time from June through the end of October 2001, visiting this village, getting support from the local leaders, finding musicians. He was able to organize a time to make video recordings and photographs documenting the dance repertoire from this village - 6 couples were photographed dancing in costume. The organized session then spontaneously turned into a ball, with almost 60 people in attendance, almost all of whom could dance. The documented materials will be in the collection of the Hungarian Heritage House.

Page 44
The dance house and the hussars This is the story of a rock loving Budapest teenager in the mid 1970's whose friends led him to a dance house and how that eventually led to the founding of something called the Historical Equestrian Association - an association involved in revival and preservation of Hungary's illustrious horseman's past. It is Fülöp Tibor's description of how the táncház movement awakened a lasting pride in a his own culture that has carried into other areas of his life. By Fülöp Tibor Zoltán

Page 50
About Dobos Károly - fiddler from Szék (in Transylvania) by Soós János This fiddler who died in 1992, the last of the great Szék fiddlers, was Soós János' neighbor. Soós tells the story of how residents of their street in Szék had decided to bring water from a nearby spring directly into all their yards. This entailed digging a series of trenches, and when they all pitched in to help the fiddler dig his section of trench......

Page 51
Bagpipers of Hungarian Moldavia part II. by Stuber György. A second helping of information on bagpipers of this isolated ethnic group of Csángó Hungarians. Sections of this article discuss: What bagpipes are called in this part of Moldavia Popularity of the bagpipe in this area The repertoire About how bagpipes are made The reeds of the Csángó bagpipe Bagpipe and violin

Page 53
In a letter to the editors, Juhász Zoltán points out that editorial license and responsibility could have been exercised by the folkMAGazin editorial staff in regards to a certain recent article (in MAG dec. 01). by Stuber György.

Sue Foy

2003/1 E-mail

mag03_1English Table of Contents 2003/1


Page 3
Szigetvári János reacts to Margittai Gábor’s critical review of the Néptáncantologia (anthology of folk dance choreographies) held in Budapest in January at the Erkel Theatre. Margittai’s review appeared in the newspaper "Magyar Nemzet" on January 27th. The event in question, is a yearly event, a showcase of some of the best amateur folk dance choreographies of the previous year. Szigetvári thinks that Margittai’s review was "neither critique, nor professional opinion. What appeared in the newspaper was concentrated maliciousness and bitterness..." While Szigetvári applauds the writing of...  "Maácz László was the last dance reviewer... ....he didn’t hate folk dance, his work was spiced with his wry humour, he wrote about every dance event. It often two articles appeared on one event – one for the "Táncművészet" (the professional dance magazine) and at the same time one for the national newspapers which he changed so that someone who had never seen folk dance before, would run out and buy a ticket to the next performance... The task is different for the outside world...articles must be written that inspire interest, the "beauty value" must be called to the reader’s attention." Szigetvári says that the professional analysis should be in the "Táncművészet" for the professionals to read while also saying that amateur folk dance should not be criticised, it should be understood, praised and nurtured.

Page 4
The dance celebration Margittai Gábor’s critique of the Folk Dance Anthology 2002, a scathing review, in general bashing the state of amatuer Hungarian folk dance choreography and performance, with marginal praise deposited on three groups: a group from Kesckemét, a choreography of dances from Tardoskedd, and a choreography performed by the Ilosvai Selymes Péter Folk Dance Group. Printed in "Magyar Nemzet" January 27th, 2002

Page 6
Semana Santa (Saint week). Easter in Spain’s Andalusian region. In the spring of 2000 ethnographic reseacher Gulyas Anna and photographer Molnár Zoltán were in Seville and also in a village called Setenil de las Bodegas at Easter time for this week long religious celebration which involves many, many religious processions by various groups of brotherhoods all carrying statues of saints and wearing costumes, some of the processions are done silently, some in the dark, some of the people process on their knees. Most inhabitiants participate in some way in these events.

Page 10
The Hungarian National Cultural Heritage Ministery announces the application process for 2003 Young Master of Folk Arts. The conditions for application in all categories of Hungarian folk arts are detailed here. Applications must be submitted by April 30th, 2003 to the Hungarian Heritage House - Folk Arts Workshop at Corvin tér in Budapest. Applications are evaluated and awards will be presented on August 20th, 2003. This is a state recognized title.

Page 11
In Memory of Pesovár Ferenc – born April 23rd, 1930 in the town of Herend. He recieved his diploma for museology and ethnography from Eötvös Loránd University in 1955. He danced profressionally in the Hónvéd Ensemble. From 1957 until his death he was head of the department of ethnography and museology at the István Király Museum in Székesfehérvár. Marking the 20th anniversary of the death of Pesovár Ferenc – the Alba Régia Dance Association of Székesfehérvár has published a book entitled (The shepherd looks for his sheep. Folk dances of Fejér County.) A collection of Pesovár’s earlier studies and articles gathered and prepared for this publication by his colleagues and friends. By Lukács László

Page 13
New Publication: Abkarovits Endre: (Dance house portraits) This book is a collection of interviews with key persons involved in the dance house movement. After 30 years, very few Hungarians have documented the movement in any way – the movement itself has been busy documenting, learning and preserving the rural dance and music traditions. Some of the interviews have appeared in the FolkMAGazin, some in other periodicals. This book makes a significant contribution of written information about the dance house movement. In Hungarian.  Published by Hagyománok Háza. Budapest, 2003. Page 14
Kilenc Kiss Ferenc (9 Kiss Ferenc-s)  - A portrait film about musician Kiss Ferenc. An Etnofon Folk Music production. Printed here are excerpts from the script of the film under headings: signs of wandering, origins, patience, religion, betrayal, aurochs, equipment for survival, national feeling, ending. Writer/music composition – Kiss Ferenc Director: Kálmár András, Producer: Novák Péter

Page 15
The Muzsikás Ensemble with Sebestyén Márta and the Pro Musica Women’s Choir from Nyíregyháza will be performing at the Budapest Music Academy on April 5th, 2003. „We have a dream...of having the opportunity to share with our audience what it is that traditional music and Kodály and Bartók’s music means to us.... ....we have started a ten year program at the Music Academy to present various sides of their life works. In 1999 violinist Alexander Balanescu, in 2000 celloist Roel Dieltiens, in 2001 pianist Jandó Jenő, in 2002 the Keller string quartet performed in these concerts and now with the Pro Musicsa Womens Choir.... works of Kodály and Bartók will be performed with Muzsikás performing the traditional tunes that form the basis for those works."

Page 16
Conversation with Timár Sándor and Suzuki Jin San. Timár Sándor’s relationship with Japan began in 1978. Since then he has been invited to Japan 44 times to teach Hungarian dance. Suzuki Jin San met Timár in Japan in 1998. Now he has settled in Hungary and dances in the Timár Chamber Ensemble. Also mentioned herein is Timár’s book and video about his dance teaching method; "Néptáncnyelven" (in the language of folk dance), which is now being translated into Japanese.   By Hollókői Lajos

Page 17
Căluş – A Romanian men’s dance ritual done at Pentecost. At the 16th Solo Dance Competition in Békéscsaba the calus dance was danced by competitors as the elective – or freely selected – dance. Ónodi Béla who has been to Romania several times documenting this dance custom in both traditional and stage settings has comments here about how this dance was used at the solo dance festival and preservation of this tradition.
Page 18
The Solo Dance Competition in Békéscsaba. Attila has two main comments here. First, any band accompanying the dancers should be able to play the music for the compulsory dances at a higher level of proficiency, and that ideally more than one band should be hired. Second, that in the freely chosen dance category, most of the competitors danced little choreographies, even though the rules of the competition call for improvisation. Out of some 45 competitors, only 6 or 7 of them were actually improvised. By Tompa Attila 

Page 18
Listing of awards for the 16th National Solo Dance Competition/Festival. Held in Békéscsaba in Eastern Hungary on January 11, 2003. Jury members were: dr. Felföldi László, Németh Ildikó, Lévai Péter, Szűcs Gábor and Hortobágyi Gyöngyvér

Page 19
Kárpátia Band. Moldváhon I. Vásár. Moldavian music. A short description of their musical inspirations and directions. „Repetition and imitation – though without a doubt, is the first phase of learning – in and of itself, it doesn’t serve to build up our music. This can be done only through continuously demanding a deeper understanding and professional knowledge. This is the goal of Kárpátia as a city band... ...in the mid 1700’s historian Dimitrie Cantemir said "When considering the size of the province of Moldavia, it is hard to believe that so many peoples different from one another could live as they do there. Next to the Moldavians, are Greeks, Albanians, Serbs, Bulgarians, Poles, Kozaks, Russians, Hungarians, Germans, Armenians, Jews, and many-childrened Gypsies...".„

Page 19
Gázsa’s New CD (From Budapest to Kommando). Papp István "Gázsa" plays music from many regions, including music from the village of Kürt (Strekov –in Slovakia) and Kommando (a special village in Southeastern Transylvania) with his band and many more of his musician friends. See article in Hungarian for listing music and musicians on the recording.

Page 21
New CD: Régi Jók Erdelyből (Old dances from Transylvania). A selection of Bodó-Bán János’ field recordings of traditional musicians from six different regions in Transylvania - recorded over a 15 year period. 

Page 22
New CD The Bekecs Ensemble – Music from the Maros region of Transylvania. This band has been collecting tunes in this region for 20 years. See announcement in Hungarian for contact info.

Page 22
Hungarian Folk Costume video series – Part 2. Costumes of Hosszúhetény, Méra, Rábaköz. Produced by Konkám Studio with the Muharay Elemér Association.

Page 23
New CD. In memory of the village bands of Gömör-Kishont County. Music of the Gömör region – in the northern part of the Hungarian language area – today located in Southcentral Slovakia. See announcement in Hungarian for listing of musicians on the recording.  Released by Vitus Kht, distributed by Fonó records

Page 23
Recommendation - two CDs by the Szeredás Ensemble "Ten steps" is a selction of Transylvanian music, while "Hungarian Calendar" is a childrens record.
By Darmos István

Page 25
Méta Ensemble is 20 years old. Interview with Salamon Beáta, lead fiddler. Méta is one of Budapest’s revival bands. For many years they had a dance house every Sunday on Somogyi utca in Budapest’s 8th district. Presently members of the band play for the Hungarian State Folk Ensemble. They have released a new CD of new recordings of their all-time favorite tunes. They are planning a concert tour of 19 counties. Members of the band are: Salamon Beáta – lead fiddle, Gera Attila – clarinet and other flutes, Nagy Zsolt – viola, Mohácsy Bertalan – double bass, Porteleki Zoltán – cymbalom. Guest singer: Németh Ferenc.
By Abkarovits Endre

Page 28
"Szentes" Varga Ferenc – traditional dancer born in 1919 in the village of Szany in Western Hungary’s Győr-Moson-Sopron County. Varga Ferenc was awarded the title of Master of Folk Arts in 1980. Dances from this village are: Dús, broom dance, csárdás and verbung. He danced in Budapest the first time in 1931 as part of the Saint Stephen’s day Gyöngyösbokréta (Pearly Bouquet) performances. Films of him dancing are in the film archive of the Hungarian Institute of Musicology – archive numbers are listed in the article in Hungarian.
By Busai Norbert

Page 30
New Publication:  Martin György – (The music of the Gypsy stick dance) Published by the Institute of Musicology of the Hungarian Academy of Sciences and the Hungarian Heritage House. Budapest. 2003. 428 pages. Edited by Koválcsik Katalin and Kubínyi Zsuzsa. Accompanying CD has music selected by Kubínyi Zsuzsa and Németh István. Publication includes some English and English version is in the works. Prepared for publication by Martin’s colleagues and students upon the 20th anniversary of his death, this volume contains Martin’s unfinished monographic work from his estate.
By Karácsonyi Zoltán

Page 32
Beszprémy Katalin’s speech to open an exhibition of folk crafts made by craftsmen and students of the Kresz Mária Foundation Potters Center at the Cultural Center in the village of Zsámbék. The exhibition opened on March 4, 2003 and will close on April 6, 2003. The Kresz Mária Foundation is dedicated to preserving and upholding Hungarian traditional crafts.

Page 33
Toy museum – Kecskemét, Hungary. The Szórakaténusz Hungarian Traditional Toy Museum and Workshop was founded in 1981 and today has a collection of over 15,000 objects. This is an announcement for the museum’s new permanent exhibition.  See article in Hungarian for contact information. 

Page 34
Folk music on the internet: Folkrádio is Europe’s first internet folk music broadcast. If you have a computer with ’sound card’ and any kind of internet access then you can go to (
www.folkradio.hu) and listen to traditonal folk music from the Carpathian Basin for free. It is broadcast from the city of Debrecen. The idea came from something called Világrádio (world radio) and started in 2002. Folkrádio also offers an events calendar. It is operated by the Folkradio Public Foundation. For further information write to (info@folkradio.hu). Report by Deák Ferenc

Page 36
A dream realized – Halmos Béla talks about the formation and present status of the Dance House Archive   Located in at the Hungarian Heritage House at Corvin tér in Budapest, the idea for the Dance House Archive idea came about in the process of organizing an exhibition of dance house documentation for an event in 1997 celebrating 25 years since the first dance house was held in Budapest. Now working as a part of the Lajtha László Workshop (within the Hungarian Heritage House), the Dance House Archive has set up the necessary database and are in the process of organizing the materials collected to date. Audio and video materials have been handed over to the public collection and audio-video services department of the Lajtha Workshop. 
K. Tóth László

Page 38
"Mátyáskám". Kóka Rózália has orgnaized a new and improved second printing of her collection of folk tales about the Hungarian King Mátyás – the 560th anniversary of his birth was on February 23, 2003. The new volume includes the tale of the "magic dove".
.
Page 40
Hegedűs Péter, one of the managers of the Budavári Fortuna Restaurant. discusses Hungarian gastronomy and globalization and what needs to be done in order for Hungarian gastronomy to regain its former glory. After 50 years of communism which caused a decline in Hungarian food culture, now historical research needs to be done to figure out what people were eating before and rediscover the Hungarian kitchen, while also paying careful attention to quality of ingredients, Hungarian wines and considering the tastes of people in today’s world. K. Tóth László

Page 41
Listing of the results and a few comments on the 6th National Molnár István Choreography Forum held on March 9, 2003 at "FMH" in Budapest. Both traditional and thematic choreographies danced by both adult and children’s ensembles were presented. Names of the choreographers were kept secret from both the members of the jury and audience until awards were presented. 1st prize: Szávai József: Dravamenti wedding. 2nd prize: Nagy Myrtill – Konkoly László: Tardoskedd dances. 3rd prize - Furik Rita’s choreography danced by the Mecsek Dance Ensemble. The Molnár Choreography forum is organized by the Budapest Cultural Center (’BMK’).

Page 42
Should distribution of traditional music be limited? This is a discussion of whether or not original field recordings of traditional singers or musicians done for research purposes, should be distributed to a wider public. Németh says, amongst other things, that the performer should be asked whether or not they agree to this. He also makes the point that anyone interested in original recordings should first of all familiarize themselves with the existing recordings. Any center or institution should invest in those recordings already existing and develop a system for accessing the information and music on them. The 11 basic recordings and series already available to the public are listed in the article in Hungarian. By Németh István of the Hungarian Institute of Musicology

Page 43
Use of the notion of the "étude" in teaching folk dance. In this article the author discusses a method of teaching dance that makes use of "the étude - a movement piece written for technique development". It is important that the étude should not be boring. Its function is for practice and for teaching the material - not for performance. The étude is a short combination of movement that can be repeated and that can be made into a longer movement progression. In dance learning and teaching the étude aids practice of the movments themselves, while also promoting evaluation of movements and groups of movements. Sziláygi Zsolt and Nagy István are quoted in this
article by Kovács Henrik.
 
Page 44
Photo exhibition – opened December 2002. On the life, activities and performances of the Hargita National Székely Folk Ensemble of Csíkszereda (Miercurea Cuic) in Transylvania, Romania. Sponsors of this professional Hungarian ensemble and realization of the photo exhibition are: City of Csíkszereda, Hungarian National Cultural Fund Program, Hungarian Collegium, RI Design, András Foundation.
Report by András Mihály

Page 45
Reports on three events: 4th Dance House Festival at the ’Tanulok Háza’ in Temesvár (in Romania) on December 7th, 2002. Szentendre Dance Ensemble’s performance on December 22nd; choreographers: Fitos Dezső and Kocsis Enikő. Pipacsok Folk Dance Ensemble’s performance at the Budai Vigadó on December 19th. The ensemble is from the town of Székelykeresztúr.
Reports by Záhonyi András

Page 46
The Alliance of Folk Crafts Associations "NESZ" celebrated its 20th birthday at an event on February 1st, 2003 at "FMH" in Budapest. There was a potluck of traditional foods prepared by members, exhibition of photographs and crafts, with dance house provided through cooperation with the Martin György Folk Dance Association and the Dance House Association. "NESZ" organizes many folk crafts events and workshops, as well as two main events every year: The Folk Crafts Festival and Market held every year in the Castle Hill area of Budapest on August 20th and the Whitsuntide Festival held every year since 1996 at the village museum in Szentendre.

Page 48
Szék Days. A dance camp in the village of Szék (in Transylvania) organized by local people. In 2002 the 3rd Szék Folk dance camp was held and organized by the Szék City Public Association. Participants may choose to stay in their own tents or with a family in Szék. Food for the camp is local cuisine prepared by cooks that usually cook for weddings. Dance in 2002 was taught by Szabó Szilárd and Németh Ildikó and Gémesi Zoltán and Sóskuti Edit. Folk costume demonstrations and other events are part of the camp program. The concept for the week long camp is for participants to become acquainted with local customs and traditions while learning the local dances. Next camp: 2003 August 17-24. 
Report by Kovács Flóra

Page 49
Listing of 2003’s summer camps and workshops

Page 55
Report on 7th Csángó Festival held on February 22, 2003 in Budapest at the Petőfi Csarnók organized by the Pro Minoritate Foundation. This event always totally packs the venue. There is a performance by both traditional and revival performers followed by dance house until morning. Traditional dancers, singers and musicians from various Csángó Hungarian villages in Moldavia and Gyimes are brought to Budapest for the event.
By Abkarovits Endre

Page 56
Report on Csángó Carnival at the Fonó Music Hall in Budapest. A series of balls were held at the Fonó this year starting with the Folk Dancers Ball in January, on February 1 there was the Balkan Ball, the Csángó Carnival was on February 8th and then on February 13th was the so-called "Klezmér Carnival". At least four revival bands played along with singer from Moldávia, Petrás Mária, at Csángó Carnival.  By Csáfordi Magdolna

Sue Foy

<< Első < Előző 11 12 13 14 15 16 Következő > Utolsó >>

Eredmény: 100 - 108 / 138
folkMAGazin a Facebook-on  
  folkMAGazin
Nyitólap
Jubileumi év
Letöltés
Online lapozó
Lelőhelyek
Előfizetés, megrendelés
Cikkek és fotók beküldése
Kapcsolat
Látogatók
4 online vendég