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English Table of Contents 2024/1  

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Memories from a Bukovinan Hungarian woman’s childhood. Mrs Pál Boldizsár Orbán Anna was born in the village of Hadikfalva/Dornești in 1913, a year before WWI broke out - years of hunger and upheaval followed. It was a tough life. She tells about the period until about 1928 when she began attending the village dances. A large number of the Bukovina Hungarians were resettled in Serbia (then southern Hungary) in 1941, then because of WWII they had to flee several more times before finding more permanent homes in Hungary. As told to and documented by Szávai József in the mid 1980s in the Hungarian town of Dombóvár.

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Announcement for All Hungarians Dance/Minden Magyarok Tánca – a performance featuring selected dance material and choreography to be held in Budapest within the framework of the 2024 National Dance House Festival on Sunday April 7. Participation in the event is open to Hungarians who are folk dancers living in the diaspora, bringing them together in one performance. This year’s material will be dances of the Transylvanian town of Szék. Leaders, choreographers this year are Kádár Ignác and Nagypál Anett. Participants must register by e-mail before March 31, 2024. Dance material and details of the performance will be posted a few weeks before the event. The event is sponsored by the Táncház Association, the Élő Forrás Tradition Preserving Association and Hunyor Folk High School Association. Announcement by Kovács Norbert Cimbi, Berán István.

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In Memoriam: Kovács András Ferenc (1959 Szatmárnémeti/Satu Mare – 2023 Dec. 30 Marosvásárhely/Targu Mures) – a Transylvanian Hungarian poet, essayist, translator who published from 1977 on. He was buried in Marosvásárhely on January 4th. Sebő Ferenc met Kovács in 2008, explored his musical world and went on to collaborate with him on a Transylvanian recording released in 2018. Included here are five selections of poetry from that CD. By Sebő Ferenc. Also reprinted here are death announcements from MTI and székelyhon.ro

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New Publication: Varga Sándor: [Changes in the traditional dance culture of a village in Transylvania’s Mezőség Region]. Hagyományok Háza, Krizsa János Néprajzi Tarsaság. Kolozsvár, Romania. 2023 ISBN: 978-606-9015-36-0. Traditional dance reseacher/ethno-choreologist Varga Sándor began work towards this book in the early 1990s and it became the theme of his doctoral dissertation. The book brings a full picture of the dance culture of the village of Visa/Vișea in Transylvania’s Mezőség region. Printed here is Varga’s introduction to the book.

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Description of a carnival custom that occurs in the village of Moha in Hungary’s Fejér County. Locally the custom is known as "tikverőzés" which can very roughly be translated as "chicken beating” – a custom that was originally part of the circle of wedding traditions. Over time the tradition transformed in this village and became part of the carnival custom involving a group of local men and boys who go around the village in maskarade humorously 'frightening' the other residents. This account describes origins and changes in this custom. Also discussed here is the fact that this custom is now on the list of national intellectual treasures and how the added attention has changed the event. The village now consciously preserves the event by maintaining local leadership and organization. By Nagy Veronika; photos by Dénes Zoltán.

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Interview with Transylvanian Hungarian writer, journalist Simó Márton upon his 60th birthday and recent publication of his book "A boldogabb ember” [A Happier Man] – Part I. Many aspects of Simó’s life, the path of his career and the reality of being a writer in Transylvania come to light. He was born in 1963 in the southern Transylvanian mining community of Urikány/Uricani – a town with a Romanian majority. He learned Romanian there and makes a point of saying that his language knowledge has been an asset throughout his life. His parents moved back to their native Székelyföld when he was 10. He attended university in Hungary and lived in Budapest for 15 years before returning to Transylvania where he lives with his family in Székelyudvárhely/Odorheiu Secuiesc, Romania. At times it has bothered him that his Hungarian writing world is limited:… "small market, small money". He is always obliged to have some kind of steady employment in order to make ends meet. Interview by Transylvanian writer/journalist Bölöni Domokos.

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Announcement for a soldier’s folk song competition – the competition is named after singer Balogh Márton (1946–2010) folk singer-solisist with the Honvéd Ensemble known for his characteristic voice quality and the old soldier and hussar songs he sung. Any Hungarian man or boy over the age of 14 may enter the competition and must sing at least one of Balogh Márton’s tunes. Following regional competitions, the final national competiton juried by professionals in the field and a gala program will be held in October 2024 at the Honvéd Cultural Center in Budapest. The competition is sponsored by Vitézi Ének Foundation and the Traditional Hungarian Hussar and Soldier’s Association.

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Interview with photographer Mohos Zsófia. Zsófia has published two books of her photos. She describes her work that has concentrated on the people and traditional life of two villages: Rimóc (Palóc region, Hungary) and Kupuszina (Voivodina, Serbia). She has taken the time to seek out and befriend elderly residents in these villages to get to a deeper level with her photographs. She has been inspired by the work of Hungarian photographer Korniss Péter, who has become her mentor and curated an exhibition of her work in Budapest at Kolta Gallery in Budapest (which opened on February 8th). Interview by Grozdits Károly

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Traditional Hungarian dances of Visk/Vyshkovo – a town in the Khust region of western Ukraine near the Hungarian border. Historically an ethnically mixed region, 20 years ago about half of the population there claimed ethnic Hungarian origin. The town is located in the historic Northern Maramures region, on the banks of the Tisza/Tysa river. This brief study is based on notes from previous field work and interviews. Until recently the Hungarian dances of Transcarpathia had largely been overlooked by Hungary’s dance house movement. Now there has been slight interest and some choreographies have appeared. According to folk dance researcher Martin György the Hungarian dances of this area belong to the so-called Upper Tisza region and dance dialect. This study looks at local aspects of the csárdás couple dance and mentions the stamping style footwork. By Módos Máté.

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Musician Kerényi Robi has been an important figure in Budapest’s Gyimes and Moldavian dance house life since the late 1980s. In December 2023 Robi’s 60th birthday was celebrated at Budapest’s Marczibányi tér’s Guzsalyas dance house. Many friends and musicians came out to help celebrate. Printed here is the speech given by his long-time friend, colleague and co-founding member of Tatros Band and Guzsalyas dance house, Sándor Ildikó.

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Two short stories by Kincs István 1867–1942, priest, journalist, children’s writer: lived in Western Hungary. Sometime in the 1860s there was colony of Hungarian hussars stationed in the Czech city of Pardubitz/ Pardubice. The hussars were sad and homesick and continuously escaping from the barracks. It was decided that the cure would be to send them a band of Gypsy musicians from Hungary to lift their spirits. The second story is about Gypsies of the village of Nagyabony/Veľké Blahovo (today in southwestern Slovakia near the Hungarian border). The vajda of the Nagyabony Gypsies was a musician. When their favorite person Kossuth Lajos left Hungary, the Gypsy vajda decided they should leave too. As they prepared to leave, a letter arrived for the Gypsy vajda. They couldn’t read but assumed it was a letter from Kossuth calling them to go play for him in exile. When they found out it was only a letter calling them to Pardubitz to play for the Hungarian hussars stationed there – they decided not to go.

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New publication: Szokolszky Ágnes: [The life and family history of Déki Lakatos Sándor] Személyes Történelem, Budapest 2023, ISBN 9786156439277. An oral history told personally by violinist Déki Lakatos Sándor (born Budapest 1945). It takes the reader into the life of a Gypsy musician and member of a famous musician family dynasty. According to Déki Lakatos, a successful Gypsy musician needs: "…extraordinary instrumental knowledge, large repertoir, excellent memory, high level of artistic and performing talent, musical intelligence, human intelligence, insight into human nature and outstanding leadership, negociation and language skills..." Recommendation by Dr. Hajnáczky Tamás.

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Traditional foods: flat breads in the Hungarian peasant kitchen. Starting with a glance at flat breads in international food traditions, the writer then hones-in on the history of flat breads in Hungarian eating culture, making the distinction between unleavened flat breads and flat breads made with leavening. [A basic understanding here is that today Hungary is a nation dedicated to the raised loaf of bread.S.F.] A brief survey of remnants of variations on flat breads still in existing in Hungarian culinary tradition is followed up with selected recipes: Cornmeal flatcakes baked on cabbage leaves, Buzsák baked paprika flat bread, Kisbajom miller’s wafer, Szatmárcseke paska (or matza type) cracker, Palóc potato flat bread. By ethnographer Juhász Katalin.

By Sue Foy

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English Table of Contents 2024/2  

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New Publication – a privately released volume on the life and work of Hungarian ethnographer and folk dance researcher Pesovár Ernő (1926–2008). Edited by Felföldi László, with Szőkené Károlyi Annamária, Pesovárné Jámbor Márta, Pesovár Zsófia, Horváth János. An interview with Pesovár Ernő conducted in May of 1995 forms the main body of this volume. The interviewer was Pálfy Gyula of the Folk Dance Research Department of the Hungarian Institute of Musicology. Also includes nearly 50 pages of photographs and an explanatory section for people and places mentioned in the interview. Pesovár Ernő’s work focused mainly on Western Hungary. Published by the Western Hungary Folk Dance Association, Körmend, Hungary 2023.

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Grecsó Krisztián: This article discusses the 50 year old adult level solo folk dance competition held every two years in the town of Békescsaba in Eastern Hungary and its YouTube channel (Országos Szólótáncfesztivál) which has current as well as archive video footage of competitors at this festival over the years. The author recommends specific videos of three dancers: Balogh Béla, Gál László, Kökény Richárd. While not the main point of the article, he makes an observation on the method used for documenting the dancers in the competition: „At first I thought that the fixed camera position would be disturbing, but upon comparison with examples from the recent televised Páva folk competition where the camera flies like a peacock, dips and turns, shows the background lighting…..[I realized] we see everything BUT what the dancer is really doing…” First published in Élet és Irodalom 2024 February 16.

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In memory of folk musician Éri Péter (1953–2023) on his participation in ethnographic field work as a boy with his mother Borbély Jolán and step-father Martin György. Éri Péter had the enviable good luck to grow up amidst an extraordinary group of folk dance researchers and ethnographers during an exciting period of Hungarian folk dance research (1950s, 1960s). From a young age he assisted on trips documenting traditional dance for example in a Gypsy community in Óbuda (Budapest), the Transylvanian village of Méra (in 1963 and 1966) and to Tardoskedd/Tvrdošovce and Kéménd/Kamenín in Slovakia’s Nitra region. This writing is based on audio recordings of interviews with Éri Péter and Borbély Jolán and notes from those collection trips found in the archives. By Maruzsenszki Andor distance learning student in Ethnography, Szeged University.

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Applauding the work of folk singer, story teller Fabián Éva upon becoming a member of the Hungarian Academy of the Arts on March 11, 2024. Éva is from a Bukovina Hungarian Székely family. Born in 1954 in the village of Györe in Hungary’s Tolna County, early on she became known for her singing voice, humor and personality. Her Bukovina heritage was a foundation for her work. She is a pre-school teacher, sang with both Kalamajka and Egyszólam ensembles and continues teaching and mentoring. Her folk tales have entertained generations of children at schools, children’s dance houses, folk camps. By folk musician, colleague and friend Juhász Zoltán.

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Interview with Transylvanian Hungarian writer, journalist Simó Márton upon his 60th birthday and recent publication of his book „A boldogabb ember” [A Happier Man] – Part II. The interview ends with these comments: „…I thought in December 1989 that we were on the way to a good democratic life, a better life….who would have thought that Pan European thought was so empty…that Americanization was so unhealthy?...here we are at the doorstep of so many different poles of world order – and at the edge of another clash thereof. I would like to understand the present. I hope for the soonest and most humane future that humans deserve...”

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Music reviews: 2023 Hungarian world and folk recordings – „…fewer recordings were released in 2023 than previous years, largely due to the rapidly changing music industry and technology. Many Hungarian record labels are at a standstill with the exception of the Fonó who nowadays don’t release everything on CD…” Recordings released in 2023 and reviewed here are: Cserepes Remix (Fonó), Kobza Vajk (private release), Korpás Évi (Fonó), Lovász Irén (Siren Voices), Magos együttes (Fonó), Makám (Z. Paraván), Napfonat (Fonó), Paár Julcsi (Fonó), Salamon Soma (Fonó), Takáts Eszter/Molnár Zoltán (private release), Tímár Sára (Fonó). By Rácz Mihály at langolo.hu.

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Exhibition: Hungarian Museum of Ethnography – Budapest – Winter Erzsébet’s photos from the Transylvanian village of Inaktelke/Inucu 2000–2002. The newly opened ’ongoing’ exhibition shows daily life in a Kalotaszeg village that is otherwise well-known for its traditional dance culture. Announcement by exhibition curators Danó Orsolya, Fülöp Hajnalka.

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Reconstructing the traditional men’s costume of Voivodina’s Tisza River region for use in folk dance stage performance. This is a description of the process of researching and reconstructing this costume. The area concerned is in northern Serbia where there is ethnic Hungarian population around the towns of: Magyarkanizsa/Kanjiža, Zenta/Senta, Óbecse/Bečej. The author addresses costume seperately for the turn of the 19th to 20th century; after WWI; accessories and facial hair habits. Informants’ descriptions are used. Includes photos and list of sources and literature. By Resócki Rolland.

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Halmos Béla Program Day – a full day of events held at the Hungarian Heritage House in Budapest at the end of January 2024. The Halmos Béla Program supports folk and world music culture in Hungary and the Carpathian Basin. The event showcased projects that have received support from the HB program. It began with a series of children’s events, continued with lectures, a documentary film screening and concerts. Mentioned seperately here is a project supported by the Halmos Béla Program: a photo exhibit commemorating folk dancer, choreographer and teacher Foltin Jolán (1943–2019). Next location for this travelling exhibition will be in Budapest at the National Dance House Festival 2024 April 6th, 7th. By Tari Dorottya project coordinator for the Halmos Béla Program.

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Continued from folkMAGazin 2024/1 – Two more chapters from an old tale of Gypsy musicians from Nagyabony/Veľké Blahovo (today’s Slovakia) and a colony of Hungarian Hussars in the Czech town of Pardubitz/Pardubice. It took two more letters to convince the Gypsy musicians to go to Pardubitz to cheer up the homesick Hungarian Hussar regiment. When the band of Gypsies arrived the Hussars shed tears of happiness and even their horses were dancing in celebration. However Pardubitz already had a brass band that served the town’s musical needs. A stand-off between the Gypsy musicians and the brass band occured during an event. The Gypsy musicians won-over the crowd and the city began to truely accept them. However, just as they were hired to play at the city’s best coffee house – the Gypsy musicians suddenly went back to their home village of Nagyabony. By Kincs István (1867–1942) priest, journalist, children’s writer: lived in Western Hungary.

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List of people from dance house circles that received national honors and awards at the March 15th holiday.

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Food and tradition – 15th, 16th century Ottoman Turkish cuisine. The author refers mainly to writings on the subject by Professor Arif Bilgin. The focus is on food in the Topkapi Palace in the given period and includes descriptions of eating customs and types of dishes. Period Turkish meals included breads, soups, pilafs and meat dishes. Recipes offered: cheese filled filo dough ’cigars’, joghurt soup with tarragon, chickpea-lentil soup, a farina-cheese desert, ’Noah’s pudding’. By ethnographer Juhász Katalin.

By Sue Foy